art you can hug

I have now been unemployed-by-choice for about 2 1/2 months. When people ask me if I love it (and they always ask that way) I say, other than having less money, YES! Our one-income budget, without dipping into savings or racking up any new debt, is tight, and spending about half of the traditional work-week entertaining two young children without spending money is challenging, especially in the Bay Area. But, fortunately for me, much of what I enjoy doing - looking at art (not to be confused with blowing funds on this kind of thing) and spending time outdoors - is free! Additionally, while I will admit that spending two full days in the studio each week has proven challenging due to all the other little things I commit to each week, I have made significant progress in the area of organizing the creative spaces in my home and generally making stuff, often with the kids. The good news there is that I have a ton of art and craft supplies already on-hand. To that end, following is a recap of art I've seen, usually with at least one kid in tow (we saw a lot of art; stuff I've made will be included in a follow-up post).

Before I left my job at the end of summer, we purchased a family membership to SFMOMA. Special exhibitions we may reserve for seeing sans kids on school days, but it's also one of my post day job goals to schlep the kids to more art shows. So in early September, we went on a Sunday morning to check out the new Julie Mehretu paintings and the SECA award exhibition, right before it closed.

Good stuff all around. I've been a fan of Mehretu's work since I saw it at the Berkeley Art Museum as an undergrad and I found a new favorite in the 2017 SECA award exhibition in Sean McFarland's work.

I think the kids liked it, too. Also in September, our neighborhood in Oakland - the Laurel - got three new murals, all related to the plight of the grizzly bear population in the state.

We spent a weekend morning on a bear hunt, followed by some afternoon crafty time at newish shop Mischief.

Wednesday afternoons, while the preschooler is still in preschool, I pick up the 4th grader early (all Oakland schools get out early on Wednesdays). Several afternoons so far we've seen art during our "wacky Wednesday" afternoons, just the two of us, before picking up little sister.

For example, we saw the Martin Wong exhibit at the Berkeley Art Museum & Pacific Film Archive. Get this - kids are always free, as is one adult "chaperone" per kid, per visit! I'm so used to things being so expensive I almost wonder if this policy wasn't a mistake of some sort. For now, however, I'll take advantage of it.

The following week I met Neal, who works a couple blocks away, at SFMOMA for a quick, kid-free lunch hour tour of the Edvard Munch exhibit before it closed in early October. What can I say except it made me want to go home to my studio and paint, which I think is one of the best compliments a show of paintings can get. The only other time I've seen Munch's work in person that really stood out was at MoMA in New York in 2006, mentioned at the end of this post.

That same week I again schlepped the 9 year old to see some art on a Wednesday afternoon, this time abstract paintings by women artists at Bedford Gallery in Walnut Creek. As I wrote on social media after, I'm not usually abstraction's biggest fan (though my own work oscillates between abstraction and representation, but more about that later), but I thoroughly enjoyed this show.

When we're flush with funds again (ha!) we plan to financially support the Oakland Museum of California. For now, we take advantage of their free first Sundays. We went in October to see the new Jet Martinez mural in the courtyard (above), part of the annual Day of the Dead exhibit, among other California art, like Susan O'Malley's lovely series of prints, 'Advice from My 80-Year-Old Self' (which you can also get in book format).

Both kids were out of school one day in mid-October, so we took a day trip down to the Cantor Arts Center at Stanford University to see the Nina Katchadourian show.

What can I say other than: fabulous. I'm a big fan of her work and the 9-year-old was pretty into her rendition of Under Pressure (from the series 'Seat Assignment') when he saw it at SFMOMA shortly after they reopened in 2016. A very kid-friendly show if my kids are any indication. And, best of all, the Cantor Center is free.

On a pre-Halloween "wacky Wednesday", as we call them, the 9-year-old and I saw In-Between Places: Korean-American Artists in the Bay Area, at the Mills College Art Museum and Culture Industry at Slide Space 123 (also on the Mills campus). Both spaces are, you guessed it, free.

On an early November Friday with the 4 1/2 year-old, we took advantage of light traffic to make our way across the bay to see the work of my friend and fellow "artists in offices" Lisa Jonas Taylor, also my first time in the newish Minnesota Street Project space (Lisa's work was in the Bass Reiner Gallery, one of many galleries in the space).

I've seen Lisa's work in person before, and I'm a fan, but I thought this show was particularly stunning in her use of the space's "horizon", the window, and her materials.

The 4 1/2 year old was particularly enamored with the many "treasures" shed by one sculpture in particular.

Finally, for the second first free Sunday in a row, I took the kids to experience Nature's Gift: Humans, Friends & the Unknown at the Oakland Museum. Art that is not only okay to touch, it's art that beckons to be embraced.

Stay tuned for part two of this almost quarterly report, in which I'll write about stuff I/we have made and the progress, slow though it may be, being made in the studio.

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